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lindstrom-prin-thomas-ii-cover
“Scandinavian disco kings Hans-Peter Lindstrm and Prins Thomas are set to release the follow up to their widely acclaimed eponymous debut this year.

The duo have had quite a journey since the release of their debut three years ago, with Thomas completing countless remixes and seeing his Full Pupp stable go from strength to strength, whilst Lindstrom went on to release his solo cosmic disco opus, Where I Go You Go Too. Both of them have been busy in the studio together during their time back in Oslo, and the fruits of their labour are now finally ready for release.

Whilst Lindstrom has always been one for using live instrumentation in the studio, Thomas’ gradual shift into using more and more live elements in his solo work has meant that their second collaborative album, entitled II, has a much looser, anic feel than the first record. The original intent stands, however, as they merge their italo, Krautrock and disco influences into a lush singular whole, imbuing them with their characteristically warm production sheen. Released just in time for summer, it looks as if the Nordic duo are looking to compete for part of your personal sunshine soundtrack this year.” -pressrelease

cfcf

hazy, nostalgic, otherworldly, unsettling

…an album that shifts effortlessly between several styles and sounds while fitting together as a diverse but cohesive package. There is common theme running through Continent’s songs even if it is not easy to pinpoint or describe.
The Montreal native has been creating tracks since his pre-teens and has only begun to present his music publicly in the last couple of years. CFCF’s career began to take off with his contest winning remix of Crystal Castles “Air War” and has followed up with a chain reaction of official remixes for talents such as Sally Shapiro, The Presets, HEALTH, The Teenagers and Hearts Revolution among many others.

“The songs range from mid-tempo nu-disco to balearic, house to ambient. Often the basis of the atmosphere was culled from films by Werner Herzog, Michael Mann, David Lynch, and David Cronenberg as well as countless musical influences including Arthur Russell, Saint Etienne, and Tangerine Dream.” -pressrelease

The Fader Magazine said in a recent interview with CFCF, “Like many people his age, Silver obsesses over childhood ephemera. But rather than sate his yearnings with late night eBay binges on Ghostbusters memorabilia, he resurrects ’80s keys and synths, modifying them into a hybrid of sturdy structure mixed with vintage minor chord melody. “There’s definitely a feeling I try to capture,’ [Silver] says. ‘This feeling of the last day of school, or it could be a decade I didn’t even live in. It doesn’t have to be specific to me.’